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Need an LA song? Take your pick of nearly 200

Sunday - 6/23/2013, 10:50pm  ET

Josh Kun, the curator who organized a collection of music themed around Loa Angeles poses for a picture at the main branch of the Los Angeles Public Library Friday, June 21, 2013 in Los Angeles. Kun, a USC professor and some of his students, have digitized them, put a cross-section of nearly 200 into a colorful coffee-table book and even persuaded the LA fusion group Ozomatli to perform many at a concert later this summer. (AP Photo/Chris Carlson)

JOHN ROGERS
Associated Press

LOS ANGELES (AP) -- For a city that has argued for decades over what its official song ought to be, Los Angeles has never lacked for serious contenders.

Anyone who has spent time here knows the city already has at least one unofficial tune: Randy Newman's "I Love LA" is played after every home game the Los Angeles Lakers or Dodgers win.

But have you heard Bing Crosby warble about how he once planned to "settle down and nevermore roam, and make the San Fernando Valley my home?" Or songwriter George G.W. Morgan's tuneful boast in 1876 that if you really wanted great wine, forget the fancy European stuff, just open a bottle of LA's best and drink up.

Crosby's "San Fernando Valley," a hit in 1943, and Morgan's "The Wines of Los Angeles County" are just two of nearly 200 songs that promote, mystify, glamorize and, let's be honest, often exaggerate the value of living in Los Angeles and its scores of suburbs.

And those are just the songs written between 1849 and 1959 that pop music historian Josh Kun came across while combing through the archives of the Los Angeles Public Library. The result is "Songs in the Key of LA," an ambitious summer-long project that kicked off earlier this month with the publication of a colorful, coffee-table book.

Next month a large, free-to-the-public exhibition of LA's music history opens at the downtown library. Throughout much of the rest of the summer, such prominent LA musicians as Van Dyke Parks, Quetzal and Ozomatli will be bringing the songs themselves to life in a series of public performances and recordings.

The works range from waltzes to Sousa-style marches, include cumbias representing the city's Latino influences and jazz styles carried west from New Orleans. But one unifying lyrical theme they all contain is pretty much this: Los Angeles is a sunnier, prettier, better place to live than wherever you are, and you'd be crazy not to want to be here instead.

As songwriters Jay Livingston and Ray Evans proclaim in "Angeltown" -- which actually is LA's official song -- "Once you wander through its byways, then you never can depart. In a thousand sweet and sly ways, it will win your heart!"

There is a reason for such unmitigated musical cheerleading, said Kun, a professor at the University of Southern California's Annenberg School for Communication and Journalism. Almost from the day it ostentatiously named itself the City of the Angels, LA has been portrayed as a fantasyland of palm trees, orange groves, beaches and beautiful people.

"Unlike with other cities, songs in early LA were often treated as instruments of boosterism," Kun said. "An industry was in place to help support song production that added to the sunshine-hype machine."

Livingston and Evans, for example, were movie songwriters who won Academy Awards for the pop classics "Que Ser
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